Visual Communication And Video Publishing - Selected Tools And Web Services - Sharewood Picnic Jul20 08

If you are looking to enhance your visual communication toolkit, MasterNewMedia offers you this weekly hand-picked selection of cool visual and video tools. This week me and Robin have selected for you some cool web services that, among other things, can take automatic screenshots of any wep page and allows you to edit it graphically, can create slideshows with pictures and websites, and can search for pictures and videos. All these and more tools in today Sharewood Picnic. visual-comunication-video-publishing-tools_id14249451_size365.jpg Photo credit: Keo Here the visual communication and video publishing tools we have selected this week:
  1. Bug Shooting: Take screenshots of your monitor and share what you captured with friends
  2. MyJugaad: Turn any web page or RSS feed into a visual slideshow
  3. PicsViewr: Create customizable 3D slideshows with Flickr images
  4. Rotavacx: Image search engine lets you make filtered researches on Flickr
  5. Fumpr: Upload any picture online and get links to share it or embed it anywhere
  6. Gooifier: Upload any image or capture it from your webcam and distort it
  7. FormatFactory: Convert almost any multimedia file into different formats
  8. uvLayer: Search for videos and watch them while chatting with other people



Visual Communication Tools

  1. Bug Shooting Bug Shooting is a simple Windows-only application that lets you to capture your screen. After you take a screenshot, you can immediately edit it with basic tools, such as crop or drawing, and when you are satisfied, you can save it locally, or use the integrated email client to share it with other people. Bug Shooting is free to download and use. http://www.bugshooting.com/web/index.php5


  2. MyJugaad MyJugaad is a web based app that turns any website or RSS feed into an image slideshow. After you register, you can enter any URL, RSS feed, Delicious and Digg pages, and turn them into slideshows by clicking a button. Any element of the provided list will become a page of the slideshow, which you'll be able to manually or automatically control. The service is completely web based and free to use. http://myjugaad.in/


  3. PicsViewr PicsViewr is a free service that lets you create slideshows with Flickr pictures. All you need to do is paste your Flickr username, select the type of slideshow that you wish to create (like Polaroid, Tilt view and more) and click OK. Your slideshow page will then be created, and there you will be able to display all of the galleries for the provided username, and also to browse the latest uploaded pictures. Free to use. http://www.picsviewr.com/


  4. Rotavacx Rotavacx is an image search engine that lets you look for photos on Flickr. After you enter a keyword, you can filter your research by color, license, resolution, or even by matching similarities with other images from the results. You can then download the images you chose directly from their Flickr page, for free. http://rotavacx.com/


  5. Fumpr Fumpr is a free picture storage system that you can use to upload and share images. Just select an image from your PC, flick the button, and wait for the uploading process to complete. You will then get URLs to download and share your picture, or to embed it on a site or forum. The service is free with no registration needed. http://www.fumpr.com/


  6. Gooifier Gooifier is an online photo editing application that allows you to upload photos and distort them (much like the "liquefy" tool in PhotoShop). Simply click on the upload button, choose a picture from your desktop or capture a new photo with your webcam, and start stretching and distorting your image. When you are satisfied, you can download the final image. Free. http://www.gooifier.com/



Video Publishing Tools

  1. FormatFactory FormatFactory is a free file converter that anyone can use to convert almost any multimedia file in different formats. After you select a file (video, images or music, in any format), all you need to do is to select the output format from a wide list, click convert, and wait for your file to be processed. The software is completely free to download and use. Works on Windows only. http://www.formatoz.com/


  2. uvLayer uvLayer is a collaborative video aggregation system, that you can use to search and watch videos while collaborating with people. You can make researches and browse results through video thumbnails, that you can add on your canvas and share with other people: you can sign-in on AIM or GTalk network, drag&drop your collection's on your buddy's name, and start chatting together about those videos. Free to use, no registration needed. http://www.uvlayer.com/


Originally written by Nico Canali De Rossi and Robin Good for Master New Media and first published on July 20th 2008 as "Visual Communication And Video Publishing - Selected Tools And Web Services - Sharewood Picnic Jul20 08"

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Visual Communication And Video Publishing - Selected Tools And Web Services - Sharewood Picnic Jul20 08

If you are looking to enhance your visual communication toolkit, MasterNewMedia offers you this weekly hand-picked selection of cool visual and video tools. This week me and Robin have selected for you some cool web services that, among other things, can take automatic screenshots of any wep page and allows you to edit it graphically, can create slideshows with pictures and websites, and can search for pictures and videos. All these and more tools in today Sharewood Picnic. visual-comunication-video-publishing-tools_id14249451_size365.jpg Photo credit: Keo Here the visual communication and video publishing tools we have selected this week:
  1. Bug Shooting: Take screenshots of your monitor and share what you captured with friends
  2. MyJugaad: Turn any web page or RSS feed into a visual slideshow
  3. PicsViewr: Create customizable 3D slideshows with Flickr images
  4. Rotavacx: Image search engine lets you make filtered researches on Flickr
  5. Fumpr: Upload any picture online and get links to share it or embed it anywhere
  6. Gooifier: Upload any image or capture it from your webcam and distort it
  7. FormatFactory: Convert almost any multimedia file into different formats
  8. uvLayer: Search for videos and watch them while chatting with other people



Visual Communication Tools

  1. Bug Shooting Bug Shooting is a simple Windows-only application that lets you to capture your screen. After you take a screenshot, you can immediately edit it with basic tools, such as crop or drawing, and when you are satisfied, you can save it locally, or use the integrated email client to share it with other people. Bug Shooting is free to download and use. http://www.bugshooting.com/web/index.php5


  2. MyJugaad MyJugaad is a web based app that turns any website or RSS feed into an image slideshow. After you register, you can enter any URL, RSS feed, Delicious and Digg pages, and turn them into slideshows by clicking a button. Any element of the provided list will become a page of the slideshow, which you'll be able to manually or automatically control. The service is completely web based and free to use. http://myjugaad.in/


  3. PicsViewr PicsViewr is a free service that lets you create slideshows with Flickr pictures. All you need to do is paste your Flickr username, select the type of slideshow that you wish to create (like Polaroid, Tilt view and more) and click OK. Your slideshow page will then be created, and there you will be able to display all of the galleries for the provided username, and also to browse the latest uploaded pictures. Free to use. http://www.picsviewr.com/


  4. Rotavacx Rotavacx is an image search engine that lets you look for photos on Flickr. After you enter a keyword, you can filter your research by color, license, resolution, or even by matching similarities with other images from the results. You can then download the images you chose directly from their Flickr page, for free. http://rotavacx.com/


  5. Fumpr Fumpr is a free picture storage system that you can use to upload and share images. Just select an image from your PC, flick the button, and wait for the uploading process to complete. You will then get URLs to download and share your picture, or to embed it on a site or forum. The service is free with no registration needed. http://www.fumpr.com/


  6. Gooifier Gooifier is an online photo editing application that allows you to upload photos and distort them (much like the "liquefy" tool in PhotoShop). Simply click on the upload button, choose a picture from your desktop or capture a new photo with your webcam, and start stretching and distorting your image. When you are satisfied, you can download the final image. Free. http://www.gooifier.com/



Video Publishing Tools

  1. FormatFactory FormatFactory is a free file converter that anyone can use to convert almost any multimedia file in different formats. After you select a file (video, images or music, in any format), all you need to do is to select the output format from a wide list, click convert, and wait for your file to be processed. The software is completely free to download and use. Works on Windows only. http://www.formatoz.com/


  2. uvLayer uvLayer is a collaborative video aggregation system, that you can use to search and watch videos while collaborating with people. You can make researches and browse results through video thumbnails, that you can add on your canvas and share with other people: you can sign-in on AIM or GTalk network, drag&drop your collection's on your buddy's name, and start chatting together about those videos. Free to use, no registration needed. http://www.uvlayer.com/


Originally written by Nico Canali De Rossi and Robin Good for Master New Media and first published on July 20th 2008 as "Visual Communication And Video Publishing - Selected Tools And Web Services - Sharewood Picnic Jul20 08"

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Why the VPPA Protects YouTube and Viacom Employees

Monday’s stipulation between YouTube and Viacom did not “extend to records reflecting the business activities of the parties’ employees and agents.” Instead, as we noted yesterday:

The parties will meet and confer within 14 days of the execution of this Stipulation concerning records reflecting the business activities of the parties’ employees and agents. If the parties cannot reach agreement on this issue, any party may submit it to the court.

Today we expand upon why the Video Privacy Protection Act protects the records showing the video viewing habits of Google/Youtube and Viacom employees.

As an initial matter, the VPPA covers the records at issue. As we discussed in our first post on the YouTube data controversy, the Act refers to “prerecorded video cassette tapes or similar audio visual materials.” The legislative history shows that "similar audio visual materials" is broad--the Senate Report noted that the term includes "laser disks, open-reel movies, or CDI technology." See S. Rep. No. 100-599, 100th Cong., 2d Sess, reprinted at 1988 U.S.C.C.A.N. 4342-1. This is not an exhaustive list. As a federal court noted with respect to the civil discovery subsection:

… in construing the scope of the Act, this Court must strive to protect this aspect of an individual's right to privacy in the face of technological innovations that threaten this fundamental right.

Dirkes v. Borough of Runnemede, 936 F.Supp. 235 (D.N.J. 1996). Accordingly, a YouTube video qualifies as audio visual material under the VPPA.

Furthermore, YouTube is a “video tape service provider” under the Act, because it is “engaged in the business [of] delivery of … audio visual materials.” The VPPA protects “personally identifiable information,” which is defined to include “information which identifies a person as having requested or obtained specific video materials or services.” While the parties disputed whether IP numbers or user IDs were PII, the portion of the Logging Database showing the viewing habits of particular employees is doubtless PII under the Act.

The VPPA extends its protections to “any renter, purchaser, or subscriber of goods or services from a video tape service provider.” To the extent that employees have signed up for a YouTube account and received a YouTube user ID, there is no doubt they are subscribers. And even if there are employees without YouTube user IDs, they could well be "renters" or "purchasers" under the Act. The courts instruct us to interpret the VPPA broadly, and courts have, in other contexts, construed similar terms (like "sale") to include free distribution. Indeed, part of Viacom's overall argument is that YouTube received a financial benefit as a result of video views.

As explained by the Senate Report that accompanied the bill, the VPPA:

prohibits video service providers from disclosing personally identifiable information except in certain, limited circumstances. As a general rule, personally identifiable information may only be disclosed with the prior written consent of the individual.

S. Rep. No. 100-599.

One of these “certain, limited circumstances” may be a civil proceeding like the Viacom-Google litigation. However, even this exception is subject to strong protections: the VPPA permits the disclosure of personally identifying information in a civil lawsuit only "upon a showing of compelling need for the information that cannot be accommodated by any other means" and then only if the subscriber has received notice and an opportunity to contest the request. 18 U.S.C. § 2710(b)(2)(F).

The VPPA also provides an exception for disclosure in the ordinary course of business. However, the ordinary course of business is a defined term, and does not include litigation. Under the Act, “the term ‘ordinary course of business’ means only debt collection activities, order fulfillment, request processing, and the transfer of ownership.” 18 U.S.C. § 2710(a)(2) (emphasis added).

Moreover, while the rules of discovery in civil lawsuits are traditionally broad, the VPPA trumps the discovery rules. As explained by the Senate Report:

This requirement for disclosure pursuant to court order in civil proceedings supersedes federal and state rules of discovery and would prevent disclosure pursuant to a court order in discovery proceedings unless that order complied with this subsection of the Act.

S. Rep. No. 100-599.

This is not to say that the VPPA completely forbids accessing information about video viewing records in litigation. Instead, the VPPA protects privacy by requiring a high standard, which must be met before viewing habits can be exposed.

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Citizen Journalist Invokes Oregon Shield Law to Fight Subpoena

Does Oregon's reporter shield law apply to an independent journalist who publishes online?  That question looks set to be answered, thanks to the refusal of Tim Lewis to comply with a grand jury subpoena for his video of a May 30, 2008, demonstration in Eugene, Oregon, where police tasered an 18-year-old protester.

While covering the anti-pesticide protest for his YouTube channel Picture Eugene, Lewis filmed part of the police's arrest of Ian Van Ornum, a protester from the University of Oregon.  According to The Register-Guard, a Eugene newspaper:

Lewis said he tried to begin recording when uniformed officers first approached Van Ornum. But he didn’t realize that he had previously protected the tape in his camera from being recorded over.

Lewis said he wasn’t able to slip in a new tape until after a Eugene officer used a Taser stun gun to subdue Van Ornum. Scenes of the teen laying on the ground while handcuffed are included in footage Lewis posted online on YouTube.

The Lane County District Attorney's office convened a grand jury to investigate whether Van Ornum should face criminal charges and subpoenaed Lewis for his video of the incident, including both the portion he published and any unpublished material. But Lewis, a self-described independent journalist and "a fixture in the Lane County anarchist/activist community" according to the Register-Guard, refused, claiming that Oregon's shield law protects him from compelled disclosure of his newsgathering materials. He told the Register-Guard, "I don’t have a whole bunch [on the tape] that would interest them. . . .  But I can’t set a precedent by giving it to them."

In fact, Lewis's stance may set a precedent by not giving it to them.  While Oregon's shield law is strong and offers nearly absolute protection to reporters, the courts have not yet applied it to bloggers and other online, independent journalists.  Comments from Lane County District Attorney Doug Harcleroad suggest that he doesn't believe Lewis is protected by the law.  Harcleroad told Eugune's KVAL: "We don't know the facts around whatever he does . . . .  I don't know whether he's a journalist or not. We haven't actually looked at the law on that in any great detail." 

Interestingly, Harcleroad stated eight years ago that Lewis was a journalist, according to The Register-Guard.  In 1999, Lewis was arrested for disorderly conduct and interfering with an officer while he was filming at another protest for a cable access show. The state dismissed charges against Lewis, however, because "there were some problems" with charging him, according to a statement by Harcleroad in a February 2000 article in The Register-Guard.  Elaborating at the time, Harcleroad added that "Mr. Lewis is a reporter, and he was reporting."

In any event, whether the label "reporter" applies to Lewis does not determine the outcome of the legal question.  Oregon's shield law, Or. Rev. Stat. § 44.520, extends beyond the usual boundaries of professional reporting to protect all acts of reporting.  Thus, what matters is whether Lewis's activities fall within the statute.

According to section 44.520(1)(b), "No person connected with, employed by or engaged in any medium of communication to the public" can be forced by the government to surrender unpublished material obtained and prepared "in the course of gathering, receiving or processing information for any medium of communication to the public."  Thus, Lewis will have to show that (1) he is "connected with, employed by or engaged in" a "medium of communication," and (2) he obtained or prepared the unpublished portions of his video in the course of gathering or processing information for that medium.

Regarding "medium of communication," section 44.510 (2) states that the term "has its ordinary meaning" and "includes, but is not limited to" (emphasis added) a variety of media types, including newspapers, magazines, television broadcasters, and the like. YouTube would seem to be a "medium of communication" under the term's ordinary meaning.  It is, after all, a means of disseminating video information to the public at large.

But is Lewis "connected with, employed by or engaged in" YouTube? Being "employed by" a medium is the most traditional relationship a reporter may have with a medium, but Lewis clearly was not "employed by" YouTube.  "Engaged in" arguably describes a less formal financial relationship, like that a freelancer might have with a newspaper, but again, such a relationship didn't exist between Lewis and YouTube.  So we're left with the broadest, least formal category: "connected with."  It certainly seems feasible to describe Lewis as "connected with" YouTube.  He produces videos which he uploads to the site, where he has his own channel.  So Lewis ought to be able to show that he is "connected to" YouTube.

Satisfying the second aspect of 44.520(1)(b), that the unpublished portion of Lewis's video was prepared or obtained in the course of gathering, receiving or processing information for a medium of communication to the public, should be simple, as Lewis shot the video in anticipation of communicating it, or parts of it, to the public on his YouTube channel. What's more, the function he performed that day fits the traditional understanding of "newsgathering" -- he was recording information about current events for dissemination to and consumption by the viewing public. So, Lewis appears to satisfy 44.520(1)(b)'s criteria.

The District Attorney isn't apt to be able to offer a viable counterargument.  He could say that Lewis was actually part of the protest, rather than gathering news about it, but that doesn't appear to have been the case as a factual matter.  The District Attorney might also argue that being "connected with" YouTube requires something more than simple use of the website as a video host; rather, Lewis would have to show something more akin to the sorts of relationships that the other two categories entail.  But that also seems unlikely - employment and engagement appear to exhaust the possible financial relationships that one might have with a medium, so the third option must mean something looser.  Lewis's status as a YouTube user is a looser one, but still one that connects him with YouTube.

So it would seem that the court should rule for Lewis and quash the subpoena.  Were I the judge, my only concern at this point would be that ruling this way might overexpand the shield law.  Certainly, it should protect the materials of newsgatherers, but should it protect any kind of video at all that is posted to YouTube?  If a college student, in the midst of making yet another Mentos-and-soda YouTube video, should happen to record a crime occuring, is it reasonable for the shield law to prevent law enforcement officials from subpoenaing her evidence? There's no newsgathering activity behind the student's video, but she is arguably "connected to" YouTube in the same way Lewis is, and the crime video was obtained in preparation of her video for publication on YouTube.  Thus, she would have the shield law's full protection, despite her situation being a far cry from what the law was intended to protect: newsgathering.

Of course, the court may not worry about the possible overexpansion of the shield law's immunity.  But the sorts of media publication available now were unimaginable in 1970s, when the Oregon shield law was largely written, and it seems unlikely that the shield law's authors meant  to protect much of the material that users post on YouTube today. As a result, a ruling for Lewis could result in headaches down the line that either the courts or the legislature would have to deal with eventually.   Lewis's conduct ought to be protected under the shield law, but the next case may not be so clear.

You can follow further developments about Oregon's subpoena of Lewis in our Legal Threats Database entry: Oregon v. Lewis.

(Arthur Bright is a second-year law student at the Boston University School of Law and a CMLP Legal Intern.)

 

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Myth of the Bandwidth Hog

Internet Service Providers (ISPs) have been quick to blame problems with service quality on so-called “bandwidth hogs.” According to AT&T, the top 5% of their Digital Subscriber Line (DSL) subscribers use 46% of the consumed bandwidth, and the top 1% of subscribers use 21%. But it is unclear what these figures mean, and if congestion problems could even be caused by those who use the network the most. These figures would seem to be describing the bandwidth consumption totals at the end of some designated time period (day, week, month). If this is the case, then 5% of subscribers using 46% of bandwidth consumed is not necessarily cause for alarm.

Excessive bandwidth usage is only a problem when it degrades the quality of service for other users of the network.

read more

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FCC Chariman Hints at Order Against Comcast

FCC Chairman Kevin Martin sent a signal today that the FCC may issue an order against Comcast in the wake of the scandal over their use of packet forgery to interfere with BitTorrent, Gnutella, and other Internet protocols.

EFF worked with Robb Topolski to run the first controlled tests of Comcast's RST forgery practices last year. We've been following the issue closely since then, and believe that Comcast's decision to switch to less discriminatory network management practices represented a victory for transparency, for an open network, and for common sense.

We are now waiting to see what precise steps the FCC decides to take. There is a lot at stake. On one hand, Comcast was clearly out of line. If ISPs decide that they can arbitrarily interfere with or degrade some of the applications that their users decide to run, they are giving themselves the power to veto or approve innovation on the Internet. Comcast was assigning
itself this veto power, and attempting to do so in secret.

On the other hand, we must be vigilant for unintended consequences from federal regulation of network management practices. Any rule that restricts the way the Internet can operate must be read upside down, backwards, and inside out to ensure that it won't turn out to prevent good engineering that nobody has thought of yet. We are also concerned that regulatory steps
by the FCC could stretch the limits of the Commission's statutory authority; we would feel more comfortable if Congress had clearly considered, allowed, and bounded FCC jurisdiction in this space.

Chairman Martin has indicated that he does not want to fine Comcast, but would order them to cease interference in a timely fashion, report on where and when interference has been occurring, and report on the details of their future traffic management plans. As specific outcomes, these are fair — and leadership to improve transparency is what we asked the FCC to provide — but the jursidictional issues will require careful analysis. The FCC is planning to vote on its actions on the 1st of August, and we'll follow up with more when there is precise language for an Commission decision.

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LegalTorrents

LegalTorrents, “an online community created to discover and distribute Creative Commons licensed digital media”, recently revamped their website to include a stronger community focus as well as a more fluid user experience. We caught up with Jonathan Dugan to find out more about what LegalTorrents can offer those in the CC-community and why CC-using content creators should look to LegalTorrents as a means for online distribution.

Can you give us some background on LegalTorrents? When and why did it start up? Who’s involved?

Simon Carless started LegalTorrents in 2003 and focused on hand-selected, high quality content that was legal to share and distribute. In November 2007, I partnered with Simon to rebuild the site under a new company called Matson Systems.  

Since then we’ve grown a small team to build and maintain the site. In addition to our initial goal of distributing high quality content, we also plan to build a community of people interested in finding and sharing this media, and supporting content creators though voluntary financial sponsorship.  

The team and their biographies are at our website.

LegalTorrents distinguishes itself by focusing on CC-licensed content - why did you choose to go this route?

Our focus is on distributing content in partnership with Content Creators, and with their explicit permission. Creative Commons had already created a great structure that gives content creators the tools to specify how they want their content distributed, so it was a great fit.  

CC licenses also protect our users who download and share content from LegalTorrents by making sure the content they share is licensed to permit that sharing.  

We actively encourage those who are looking to distribute content to use Creative Commons licenses, but a few people have also suggested other share-friendly licenses and we allow those as well.

Anyone can upload CC-licensed content to LegalTorrents once they become a “Approved Content Creator”. What does this process entail and what benefits does it provide, both for the creator and LegalTorrents alike?

The criteria we use to determine who is allowed to upload is fairly simple, and driven by volunteers in the community. We want the content to be:

  • Professional quality
  • Broadly appealing, and
  • Community member requested.

There are benefits for our community members, Content Creators and for LegalTorrents by using this process. Primarily, by reviewing the content before it is uploaded we make sure, to the best of our ability, that the content is licensed for sharing. It also helps to increase the quality and appeal of the content we have listed on the site. For Content Creators, it means that their content will be listed on a website where all the other content has a similar consistency and quality.

LegalTorrents also works differently from most other Bittorrent indexes: Content Creators upload their content to the site, and we create the .torrent files automatically and host the full version, a reference copy of the content for community members to download. This makes it easier for people to just go ahead and share and think less about how it actually works, technically.

Tell us about your “Sponsor the Creator Program”.

Once a Content Creator is approved to upload content, they can select to have LegalTorrents collect Sponsorship for their content. On the page listing a piece of content we ask logged-in users if they want to make a payment, a “sponsorship” of the Content Creator. These payments are voluntary. We give 85% of sponsorship payments to the creator and use the remaining 15% for running LegalTorrents.

LegalTorrents is currently in beta - what does the future hold for those flocking to its growing community?

Before we go out of the “beta” stage, we need to complete two different things: We need a more social site where community members can meet and interact around the content. Some of our upcoming social features include:

  • Sending messages to Content Creators
  • Sending specific content recommendations to your friends
  • Activity Feeds for downloads, sharing, following, and sponsorship
  • Forums to discuss content and request and review content submissions
  • Feedback and metrics for sponsoring and following content from Content Creators

We also need more regular content, which is why we recently launched a Facebook application to help direct more users to LegalTorrents.

In addition to this we are out there actively seeking more high quality CC-licensed content. As word gets around, we expect that the content will follow.

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Iran Moves One Step Closer to Ratifying Death Penalty for Blogging

Online free speech has never been well received by the Iranian government, but now Tehran is just one step away from making blogging on certain topics into a capital crime.

Under a new bill approved by Iran's parliament, those convicted of "establishing weblogs and sites promoting corruption, prostitution and apostasy" will now be eligible to receive the death penalty. The International Freedom of Expression eXchange (“IFEX”), a free speech watchdog, writes that the bill passed on first reading by a vote of 180 to 29, with 10 abstentions. Under Iranian law, the Council of Guardians must now examine the bill to determine if it complies with Sharia and the Iranian constitution. If approved within ten days by a majority of the council, the bill will become law.

Agence France-Presse reported last week that the bill lists several crimes which are already punishable by death in Iran, including rape, armed robbery, and apostasy, in addition to the new criminalization of blogging.

Those convicted of these crimes "should be punished as 'mohareb' (enemy of God) and 'corrupt on the earth'," the text says.

Under Iranian law the standard punishments for these two crimes are "hanging, amputation of the right hand and then the left foot as well as exile".

Agence France-Presse added that the bill says the sentences for such crimes "cannot be commuted, suspended or changed".

Reporters Without Borders condemned the bill, calling it "horrifying," and warned that "passage of such a law, based on ill-defined concepts and giving judges a lot of room for interpretation, would have disastrous consequences for online freedom." Hamid Tehrani of Global Voices Advocacy wrote that such legislation shows Tehran "do[es] not only wish to filter blogs, but also to eliminate bloggers!" (Though to be fair, Tehrani is oversimplifying. The bill does not criminalize blogging itself, only blogs encouraging certain activities.)

Repression of bloggers is not new in Iran. Many Iranian bloggers, "at least two dozen" according to a 2005 BBC report, have been arrested by the government over the years. Several were tortured, according to the Committee to Protect Bloggers. One blogger, Mojtaba Saminejad, even faced the death penalty when he was charged with "insulting the prophets," a capital offense. Fortunately, Saminejad was eventually acquitted of the charge, though the government still imprisoned him for two years on other counts.

Despite government efforts to repress online activism, blogging continues to grow in popularity in Iran. According to Technorati's April 2007 State of the Live Web report, Iran's official, native language, Farsi, is the tenth most popular blogging language in the world.

And in their paper Mapping Iran's Online Public: Politics and Culture in the Persian Blogosphere, John Kelly and Bruce Etling of the Berkman Center for Internet and Society (note: the CMLP is also hosted at the Berkman Center) write that Iran's blogosphere is one of the largest in the world, consisting of some 60,000 Iranian blogs on topic ranging from politics and religion to pop culture and poetry. Even Iranian President Mahmoud Ahmadinejad has a blog, although he doesn't seem to update it regularly. Kelly and Etling note, however, that although the Iranian blogosphere is diverse, secular and reformist blogs tend to be the most subject to being blocked by government censors.

(Arthur Bright is a second-year law student at the Boston University School of Law and a CMLP Legal Intern.)

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Increase Online Ad Revenue: Professional Web Publisher Guide To Online Ad Optimization

The vast majority of web sites today are not monetizing their advertising to their fullest potential. increase-ad-revenue-10-tips-by-pubmatic-485.jpg Here is a company, a rare one I must say, that not only has spent serious time trying to understand and match my needs with their specific services, but has had enough integrity and courage to openly recognize its strengths and weaknesses and to provide me with the very best monetization advice I have received from a supplier in a long time. Rajeev Goel, CEO and Co-founder of Pubmatic, a company that specializes in optimizing ad network serving for web sites has just released an essential guide to ad revenue optimization, after having looked for a long time at what other the opportunity points to be leveraged in the fast-changing ad serving and optimization marketplace. He writes:
"Never before have Web site publishers like you had such an accessible opportunity to improve the performance of your advertising; ad serving costs are down and the explosion of ad networks has created an opportunity to get highest possible price for your inventory."
Here the details:


The Essential Web Site Publisher’s Guide to Ad Revenue Optimization

by Rajeev Goel

Introduction

ad-revenue-optimization_id14933631_size300.jpg The vast majority of web sites today are not monetizing their advertising to their fullest potential. In the U.S. alone that accounts for billions of dollars per year that could have been made with improved advertising performance. While there is no panacea to improve all of the underperforming parts of all the web sites with one swift fix, savvy web site publishers can take steps to improve their advertising performance, which will directly increase the ad revenue they make from their web site. I created this guide for the same reason I started PubMatic - to help web site publishers make more money. Web site publishers are content creators first and foremost, and creating good content takes a lot of time and energy. Improving a website's advertising revenue can also take a lot of time and energy. PubMatic offers a solution that simultaneously saves web site publisher's time while increasing their advertising revenue. In very simple terms, PubMatic helps manage web site publisher's relationships with ad networks, and uses a sophisticated, constantly improving algorithm to ensure the best performing advertisement is shown at the highest price paid to the publisher. PubMatic's service and technology improves the ad serving decisions for web site publishers; and that is perhaps the most complex and revenue effecting part of online advertising (which of course we make simple for web site publishers!). However, there are still many other improvements a web site publisher can handle on their own hands without the help of PubMatic. If you are a web site publisher that wants to increase your ad revenue, following the tips in this guide will help you achieve that goal. I intend on updating this guide, so please check back often or subscribe to PubMatic's mailing list for all the latest news from us.


Optimization Tips

1) Diversify of Your Ad Networks

ad-revenue-optimization-diversify_id102378_size200.jpg What: All ad networks are not equal. In fact, most ad networks differ in seemingly subtle ways that are actually quite varied: targeting approaches, geographic focus, vertical focus, mix of advertisers, and ad campaign targets (branding, clicks, conversion) are just a few examples. Them result is that different ad networks will determine relevancy of ads relative to a publisher’s web page differently. Take the popular Web site SeatGuru as an example. SeatGuru maintains seat maps for every major airline’s fleet of airplanes, and provides information about the comfort and amenities available in each seat. One ad network might conduct page-level contextual analysis and determine that the page is about airline travel, and therefore, show an airline ad. Another ad network might conduct site-level demographic or behavioral targeting and determine that the site appeals to moderate to high-income business travelers, and show a life insurance ad. A third ad network might be looking at the users who views the site, rather than the site itself, and identify a given user as an in-market auto buyer and show that user a Lexus ad.
Benefits: By diversifying your mix of ad networks, you as the publisher, can determine what the most valuable aspect of your audience and content is, and therefore, determine the best mix of ad networks that can monetize your audience. Travel ads might be a source of high-income advertisements, or alternatively the audience that is interested in travel might be high-income and therefore can be sold higher value financial products with related financial ads.
What to do next: Look at the mix of ad networks you are using, and classify them along the lines of behavioral, contextual, and demographic targeting capabilities. Depending on the size of your site, look to get one to three ad networks in each area and identify which targeting mechanism works the best for your site.


2) Implement a Segmentation Strategy

ad-revenue-optimization-segmentation_id443623_size185.jpg What: Smaller Web sites that are more targeted in content and are niche-oriented tend to have a higher eCPM than large, broad Web sites (The June 2008 PubMatic AdPrice Index reveals small Web sites had an average eCPM of $1.14 vs. 0.21 for large Web site; visit www.PubMatic.com/AdPriceIndex for definition of sizes). The reason for this is that advertising on these smaller Web sites have a more targeted audience, and therefore, they typically perform better for advertisers than broad Web sites, and so advertisers are willing to pay a higher rate. So what can you do if you are the owner of a large, broad Web site like WashingtonPost.com? You can carve your large Web site into a collection of smaller Web sites. By making your large Web site appear like a bunch of small Web sites, you can get the benefit of large Web site scale along with higher advertising rates. Doing this is easier than it might seem. For example, if you have a Web site that covers a variety of subjects, you may have a navigation bar that includes News, Politics, Opinions, Local, Sports, Arts & Living, and a City Guide. Instead of creating one 728 X 90 ad tag to go across the top of every page on the site, create six of them instead – one for each navigation area on the Web site. Once that has been done ad networks can better target your Web site’s ad inventory. Callaway can show ads only in the Sports section of the Web site while American Express can show ads only in the Arts & Living section of the Web site. You can extend this strategy even further by carving up each of the six areas into smaller areas (Men’s sports vs. Women’s sports, for example).
Benefits: Smaller Web sites enjoy ad rates that are up to three times as high as large Web sites. You can significantly raise your monetization rates if you can present a more targeted advertising opportunity to the advertiser. And you can do this by limiting the scope of a single ad tag to the most relevant areas possible.
What to do next: Check out the navigational areas of your Web site, and use that as the basis for carving up your large, broad site into a collection of smaller sites. Create one set of ad tags for each smaller area of your site, and use those ad tags with each of your ad networks to get more targeted advertising.


3) Monetize International Traffic

ad-revenue-optimization-monetize-international-traffic_id14486021_size160.jpg What: For a typical U.S. web site, 30-40% of the web site’s traffic comes from outside of the U.S. We all know the Web is global, but on top of that, English is often times the language of the Web in foreign countries. For example, the vast majority of Web users in India are visiting English language Web sites, which means your content and services on your U.S. based Web site may be readily consumed by a Web surfer in India. The same is true in many parts of Southeast Asia, Africa, and parts of Europe. On top of this strong foreign contingent on many U.S. Web sites, the weak U.S. economy and dollar can lead to higher monetization rates outside of the U.S. The slowdown in the U.S. economy has lead to a drop in ad rates in the U.S. (visit www.PubMatic.com/AdPriceIndex for monthly averages) and the weakness of the U.S. dollar makes it relatively cheaper for foreign advertisers to buy U.S. ad inventory.
Benefits: As a result of the significant foreign readership of a typical U.S. Web site, the drop in U.S. ad rates, and the weak US dollar, monetization rates for the 30-40% of foreign traffic on a U.S. Web site can be higher than that of U.S. traffic, resulting in up to half of a Web site’s revenues based on foreign visitors. This foreign traffic is often overlooked as a source of revenue for U.S. Web sites. If you’re not making a significant stream of revenue from your foreign visitors, it is time to re-evaluate your monetization strategy.
What to do next: Check your server logs or Google Analytics reports to identify your top 5-7 geographies outside of the U.S. You will likely be surprised by the amount of foreign traffic. Then determine if your current ad networks can monetize inventory in these geographies. You need an ad network that can reach advertisers in these foreign countries. A U.S. ad network will often default (show blank or empty ads) to visitors from foreign countries, and you typically have no way to know this because you’re sitting in the U.S. and won’t see the default ads! Check if your ad networks have a sales office in the foreign country. If not, do a bit of research to find an appropriate ad network in that country and start working with them right away.


4) Monetize Every Impression

ad-revenue-optimization-monetize-every-impression_id15139971_size155.jpg What: Nothing frustrates a publisher more than a default (empty or blank) ad. Defaults occur when an ad network does not have an ad to show to a user on your site. Web site publishers leave an estimated $1 billion on the table annually as a result of default ads. There are two main problems that cause this: • Problem 1: Not having an ad to show. A network runs out of ads for your site, they have reached a frequency cap, or they don’t have ads for the geography of the user. This means you get a $0.00 eCPM. • Problem 2: When an ad network does default. That means they are not reselling that impression to the highest paying ad network. This problem is just as bad; publishers often setup static daisy chains of ad networks based on historical pricing data in case one ad network in the chain defaults. With a static chain, there is no way to ensure that the highest paying ad network will fill the impression. How big of a problem is this? In a study conducted by PubMatic, we found that on average ad networks default 56% of the time, and can default as much as 87% of the time. That’s over half of a publisher’s ad inventory! This is an important one to get right. The solution is a dynamic marketplace in which default ad impressions are collected and then routed to the highest paying ad network.
Benefits: A solution that both eliminates defaults and ensures that the impression is sold to the highest possible ad buyer can add 30-50% to a publisher’s revenue base. The key to the solution is detecting when a default happens, then re-selling that ad impression to ensure that the sale is dynamic, and not through a pre-determined or static daisy chain of ad networks.
What to do next: See how often your ad networks are defaulting. If it is more than 10% of the time, consider a dynamic default optimization solution. The only known solution is one that PubMatic provides (learn more at PubMatic.com/news).


5) Sell New Inventory

ad-revenue-optimization-sell-new-inventory_id15269231_size195.jpg What: Consider selling new ad units on your Web site that can be incremental to your existing ad revenues. There are numerous ad units that you may not already be selling, such as page takeovers, in text ads, or pop-ups. Of course, you don't want to annoy your user base but at the same time most users realize that your wonderful content is paid for via advertising. As long as you stick to ad units that your users have seen before, the annoyance factor can be minimized.
Benefits: New ad units can lead to entirely new revenue streams. For example, in text ads can pay $1 CPMs and up, as can page takeovers. This is new revenue that is almost entirely additive to your Web site. Moreover, you might find that these new ad units are so beneficial that you can remove some of your existing ad units. Best of all, trying out these new ad units won't cost you any money as you can leave your existing ad units in place.
What to do next: Take some notes for the next week as you surf around the Web. Write down any new ad units you see that you aren't currently using on your Web site. For example, I saw a page takeover on the Wall Street Journal's Web site for the first time last week (courtesy of new owner Rupert Murdoch). Once you've got a short list, find ad networks that provide these new ad units (your existing ad network partners might provide some of these) and get them up and running. And don't try them all out at once - rotate them through one at a time, and see what performs the best for you. Be open with your readers and let them know that you're testing new ad options to bring them more of the content they love, and they will probably help you in the process.


6) Call Your Ad Network Representative

ad-revenue-optimization-call-account_id303177_size200.jpg What: Despite all of the automation in the online ad industry, there is still a lot of manual work that is done to sell ads on a Web site. Media buyers need to know what inventory they can secure from publishers, what the characteristics of that inventory are, in terms of content and audience, and how long that inventory will be available to them. By calling your ad network representative, you can better understand how they target ads to your site and you can better inform them about what is unique about your content and audience. When a new ad campaign comes in, you and your site will be on the top of their mind in terms of where to run that ad campaign.
Benefits: By being on the top of an ad network representative’s list of sites to work with, you can help ensure that you get first crack at new ad campaigns. This means more advertising dollars can flow to your Web site, and you will see higher monetization rates.
What to do next: Identify representative at each of the ad networks you’re working with. Call them up and spend 15 minutes getting to know them and how they work, then explain some of the differentiating aspects of your Web site content and audience. Set a regular check-in period – once per month for example – and keep in touch.


7) Experiment with CPA

ad-revenue-optimization-experiment-with-CPA_id15741131_size190.jpg What: CPA (cost per action) offers can sometimes outperform traditional ad network advertising. CPA offers work like this: you select a relevant offer to appear on your Web site, such as a credit card offer, cell phone offer, or similar; if a user clicks on the offer and fills out a qualification form or application, you get paid a fee that can be anywhere from a few dollars to hundreds of dollars, depending on the value of the offer. Advertisers like CPA offers because they transfer risk from them to you – if the user doesn’t fill out the form, the advertiser doesn’t pay for the ad.
Benefits: Depending on your site and audience, CPA offers can often times outperform regular advertising. If you are seeing low monetization rates (10, 20, or 30 cent eCPMs), then you may want to consider adding some CPA offers to the mix on your Web site. The key is finding relevant offers that will be attractive to your audience and will pay you a significant amount each time a user completes the required action.
What to do next: Identify the lowest paying ad spots on your Web site. Then find some appropriate offers. This might take a bit of research but there are affiliate networks out there like Commission Junction that can provide you with a broad array of offers in one place. Put the offers on your Web site, be open to experimentation, and see if you can raise your monetization rate.


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8) Email Your Users More Often

ad-revenue-optimization-email_id5106491_size200.jpg What: Many Web sites email their user base periodically – often times once per month or once per week. If you do not email your user base, you should consider it. It is an easy way to stay in front of them, it creates ad inventory in your emails, and it often brings them to your site for a new session they may not otherwise have had. If you do email your user base already on a monthly basis or less, consider emailing them slightly more often. Emailing your users once every three weeks is not uncommon and can have many benefits for them as well if you provide worthwhile content. And instead of getting that traffic pop 12 times in a year, you will get it 16 times in a year.
Benefits: There are three major benefits to emailing your user base on a more frequent basis: First, the email typically generates a pop in terms of traffic to your Web site. People may read something interesting in your email and click through to your Web site, increasing the number of ad impressions for you. Second, the email itself contains valuable ad inventory that you can monetize. And third, it increases your mindshare and engagement level with your readers.
What to do next: If you are already emailing your user base, see if you can make it slightly more frequent – once every three weeks instead of once every four weeks. If you’re not emailing your user base, put a subscription box on your Web site and start collecting email addresses -- then get your email list going as soon as possible.


9) Create a Media Kit

ad-revenue-optimization-create-MediaKit-by-Pubmatic.jpg What: The quickest and easiest way for a potential advertiser to learn about your site is if you have a readily available media kit. A media kit describes your Web site to a potential advertiser who might buy directly from your Web site rather than going through an ad network. Most advertisers are looking for the following information: • What your site is about – what category does it fall into, how unique the content is • Your site’s traffic numbers – how many people do you reach, what your Alexa or equivalent rank is, how many ad impressions per month you have • Your site’s demographics – male vs. female ratio, income level, geographic distribution, ethnic makeup • What ad units are available – what sizes of ads are available, what creative limitations you have • What you charge for advertising – how you calculate what your site is worth • Who to contact – Ad buyers want easy access to the right person
Benefits: Direct sales can be very profitable for you because they do not involve the typical ad network fee (30-50% of advertiser’s rate). Part of the reason ad networks are used is to aggregate audience, but if you have a large enough audience, it might be more cost effective to do that on your own. Even if you do not want to sell advertising directly, having a media kit makes your Web site appear much more professional and credible. Other ad networks or ad buyers do not know that you are not selling directly. The media kit will give your site the professional look it needs to get those first few buyers in the door.
What to do next: You can manually create a media kit by using media kits from sites you like as a guide. You can also create a media kit in just a few minutes by using PubMatic’s automated tools at www.PubMatic.com/MediaKit. PubMatic has partnered with Alexa, Quantcast, and Compete, to bring relevant data to your media kit instantly.


10) Speed Up Your Site

ad-revenue-optimization-speed-up-site_id3543981_size190.jpg What: The faster the content loads on your Web site, the faster ads can appear on your Web site. This gives users more chances to see your ads and to click on them. By speeding up your site you can improve you site’s ad performance.
Benefits: The sooner your visitors can see and click on your ads, the more revenue you will make. A slow Web site with poorly loading ads will end up driving down the performance of ads on your Web site. Ad networks will notice and pay you less as a result. Anecdotal evidence shows that each second of increased time to download your page can reduce advertising revenue by approximately 10%.
What to do next: Measure your Web page download speed and then set yourself a goal to speed it up. You can use measurement tools like WebSitePulse or Keynote to measure your page download speed. Next, analyze your page to see what items take the most time to load. There are several great, free tools out there like Firebug for the Firefox browser and YSlow from Yahoo. Identify and eliminate or correct those items that take the longest to load.


11) Re-examine Your Ad Server Options

ad-revenue-optimization-re-examine_id5131541_size200.jpg What: Many publishers have an ad server that they pay for to help them manage creative, ad campaigns, flights, and even ad networks. These ad servers are typically hosted by third party companies, so Web site owners do not need to pay for the infrastructure themselves. The cost of ad serving has come down significantly in the last 10 years. The marginal ad serving cost is estimated at a roughly 0.5 cent eCPM, down from 10 cents 10 years ago. The decrease in ad serving cost is being driven by lower bandwidth, server, and software costs for ad serving providers. The cost of virtually every component of computing infrastructure has dropped, and therefore, so has the cost for service providers.
Benefits: While the cost of providing ad serving has dropped, uninformed publishers continue to pay the same rates for ad serving that they paid several years back. As the cost of ad serving has come down, you should consider re-negotiating your ad serving contract annually, and ensure that some, if not most, of those savings are accrued to you.
What to do next: Check your contract to see when you last negotiated your rate. You likely do not want to switch service providers, as this can be disruptive, but check with other publishers who have recently switched to your ad serving provider. Get a sense for the market rate, and then have an open discussion with your service provider. You may be able to save a few cents on your eCPM.


essential-Guide-to-ad-revenue-optimization.gif Original article written by Rajeev Goel General Manager and Co-Founder of Pubmatic and first published in July 2008 as "The Essential Web Site Publisher’s Guide to Ad Revenue Optimization". Reprinted with permission from the original author.

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New York Federal Court decision to compel Google to give Viacom YouTube users' viewer history

New York Federal District Court Judge Louis Stanton has ordered Google to turn over details about YouTube user's video viewing histories. New Media Rights talked with the San Francisco Chronicle's Technology reporter Anastasia Ustinova about this troubling decision, and its implications for privacy and its chilling effect on an open, participatory grassroots culture.

"The court's order grants Viacom's request and erroneously ignores the protections of the (act) and threatens to expose deeply private information about what videos are watched by YouTube users," Kurt Opsahl, senior attorney for the Electronic Frontier Foundation wrote in a blog posting. "As Congress recognized, your selection of videos to watch is deeply personal and deserves the strongest protection."

Art Neill, an attorney for New Media Rights, a nonprofit consumer group, agreed.

"It's disturbing because there is a chilling effect for the online content," Neill said. "When big companies find ways to go after people, they use it beyond what the law allows them to do in terms of enforcing."

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